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DEAL OF THE DAY

L'ora dello spettatore. Come le immagini ci usano.

Edited by M. Di Monte and Gennari Santori F.
Roma, 2020; paperback, pp. 264, col. ill., cm 21x27.

cover price: € n.d.

L'ora dello spettatore. Come le immagini ci usano.

Total price: € 40.00 € 147.00 add to cart carrello

Books included in the offer:

L'ora dello spettatore. Come le immagini ci usano.

Edited by M. Di Monte and Gennari Santori F.
Roma, 2020; paperback, pp. 264, col. ill., cm 21x27.

FREE (cover price: € n.d.)

L'ora dello spettatore. Come le immagini ci usano.

Caravaggio. La Bottega del Genio

Roma, Museo Nazionale del Palazzo di Venezia - Sale Quattrocentesche, December 22, 2010 - May 29, 2011.
Edited by Falucci C.
Roma, 2010; paperback, pp. 118, b/w and col. ill., tavv., cm 24x28.
(Cataloghi Mostre. 49).

FREE (cover price: € 48.00)

Caravaggio. La Bottega del Genio

Caravaggio. La Cappella Contarelli

Roma, Palazzo Venezia, March 10 - October 15, 2011.
Edited by M. Cardinali and De Ruggieri M. B.
Roma, 2011; paperback, pp. 150, 60 b/w ill., 60 col. ill., 60 b/w plates, col. plates, cm 24x28.
(Cataloghi Mostre. 50).

FREE (cover price: € 59.00)

Caravaggio. La Cappella Contarelli

chiudi

Poliksen Qorri-Dragaj & Hamdi Qorri: rks2 | transcendent locality

Mousse Publishing

Pavilion of the Republic of Kosovo, 18th International Architecture Exhibition, la Biennale di Venezia 2023.
Texts by Poliksen Qorri-Dragaj, Hamdi Qorri, Detlef Kurth, Lisa Brandstetter.
English and Albanian Text.
Milano, 2023; paperback, pp. 178, col. ill., cm 16,5x23.

ISBN: 88-6749-586-0 - EAN13: 9788867495863

Subject: Civil Architecture/Art,Photography

Period: 1960- Contemporary Period

Languages:  other, english text   other, english text  

Weight: 1 kg


The term transcendence implies the process of crossing a boundary that separates two fundamentally different spheres.

For the refugees in the course of the Kosovo War in the 1990s, the circumstance of not being able to return to their homeland for an indefinite period represented a deep caesura in their lives. On the one hand the migrated individuals were physically present in the hostlands, superficially managing their everyday life and functioning in their new environment. But on the other hand, the emotional presence was a different matter: due to the conflict, attention and thoughts revolved around the abandoned homeland, fears and insecurities often did not allow the individuals to arrive at the hostland. They were located in an intermediate state between the physical now and the abandoned before. In this state boundaries between the immanent being in the now and the transcendent being in the mind blur-the migrated individual is in a transcendent locality.

The book considers the impact of transcendent locality on immanent space in the short and long term: in Kosovo it can be very well observed how the return of migrants after the war has affected Kosovar cities and how the social migration networks, which developed in the hostlands, impact on urban space in the form of translocal urbanism. The authors explore these phenomena and opens the debate on how urban planning can respond to these specific conditions in order to create urban resilience and liveable cities.

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design e realizzazione: Vincent Wolterbeek / analisi e programmazione: Rocco Barisci